I'm always interested to see people's thoughts about who makes quilts and what quilts are like.
Christine Liu, a guest poster on Decor8, saluted hip quilter Denyse Schmidt but contrasted her work with Christine's image of quilting: "At least for me, quilting seems still relatively entrenched in the German Dutch tradition and midwestern generational home-making." Then Brent Myers, a Decor8 reader, commented that "I've been looking for books that teach you how to take traditional ways and put a new spin on them." Decor8 posted his his cool men's suiting quilt the next day. (Definitely check it out.)
Then on Whip-up I saw the post International Quilt Festival: What's a Modernist To Do?:
The show always makes us feel a bit lonely, wondering whether or not there will ever be a critical mass of really interesting quilters at one of these shows. There are some contemporary quilts on display but few vendors carrying fabrics or books we would buy. Mostly there were a whole lot of versions of 19th century patterns and predictable novelty fabrics one might expect to find used in pediatric nurses’ uniforms. Need any tea-stained lace? How about a CD you can stick in your sewing machine so it can automatically embroider a Disney character onto your quilt? Lonely, very, very lonely.
I blinked a little bit after reading these. I forget that not everyone has gone through the process I did. When I started quilting I saw all the boring junk, but since then I've developed a bit of selective blindness. The quilting industry flourishes because of the huge market for pastels, florals, novelty prints, patterns for traditional blocks, etc. However, I've tuned it out. Unless I'm making a kid quilt, in which case novelty prints can come in handy. When I'm at IQF, I don't notice how many booths are full of boring stuff, because I'm caught by all the booths that offer hand-dyes, batiks, and Japanese fabrics. (Though the 2005 show did seem a little drab.)
My dominant impressions of quilters are people like Ruth McDowell, Judy Dales, and Hollis Chatelain, who are seriously boundary-exploding artists. They are the stars of the quilt world, the sought-after speakers and teachers, and the award-winners. I guess I look to them and others like them as what "defines" quilting for me, rather than the mass-marketed products that support the industry.
In fact, I've stopped subscribing to one of the quilt magazines I've taken for over 5 years because it's full of pictures of modern, artistic quilts and I'm getting tired of it. I'd rather focus more right now on things I might actually make.
I'm not saying these folks are wrong to feel that way. When I first tried to get involved in the Austin Area Quilt Guild I thought I was doomed to hearing about Sunbonnet Sue for the rest of my life. But there's a heck of a lot out there on how to break out of the block-block-block-all-identical-all-pastel routine, even before this recent crop of hip young quilters.
The hip young quilters are cool, though, and you should check them out. Kim from Dioramarama is a Whip-Up quilt correspondent who knows her stuff when it comes to the intersection of art and quilt. Check out her profiles of quilters Wendy Huhn, Lisa Call, and Angela Moll. Way to smash those preconceptions, ladies! And I'm loving Denyse Schmidt's new book.